Nighty Max is a producer/DJ from Barcelona. He sent me over “Iglou”, a feel good track that I can hear being played at the end of set. Great use of that string sample.
[audio:http://diestruktur.com/asianmandan/music/Feb%202009/nighty_max-iglou.mp3] Nighty Max – Iglou
Super epic in an 80s way. Justice-esque.
[audio:http://diestruktur.com/asianmandan/music/Feb%202009/NIGHTY%20MAX%20-%20INTRO.mp3] NIghty Max – Intro
We made this mix in the only 2 days off in the last 2 month of crazy world touring…mixin in Old Italian stuff with Rusko Dubstep and some fresh beat from our inbox…it seem like have pizza with spaghetti with Chocolate and Caramelle inside..strange…but sounds good!
Important : there’s jus one song of us!!!!! it’s a MIRACLE.
ciao a tutti, baci in bocca, salutateci la famiglia e stateci bene!
pace
C’s
Checkout this ill mix by Australia’s own Harmonic 313. Super chill, glitched out 8-bit, Prefuse 73 vibe. His album When Machines Exceed Human Intelligence is out now on Warp Records. Also checkout his website. Great design and concept.
Huge. Dense. POP goodness. I expect nothing less from them. Zdar makes the drums sound huge. I love it and cannot wait for this album.
[audio:http://diestruktur.com/asianmandan/music/Feb%202009/Phoenix%20-%201901.mp3] Phoenix – 1901
The Great Phoenix Mystery:
In the mp3 track info comments section: “Looking forward the Colosseum” password = concorde
“The Vietcong Disco met over the course of a five year lethal party ring in a compelling story of emigration (from several corners of the earth) to little known bushwick, brooklyn. Since conception, Vietcong DJs have distinguished the booths and floors of scanty-manhattanite clubs, dance halls, and raves, from outer borough warehouse parties to the infamous Leopard Lounge and Wednesday Never Ends weekly. Their polyphonic diversity has been attributed to a brisk array of ethnicities, arranged by godfather Eddie Mars. He choreographs the gang: DJ Robert Redford, fly-by-night Malcolm LaSalle and Charles Damga, bringing you never before heard disco tracks, from better decades past, when war and torment were shortlisted by dance-culture, sexuality and flashy good looks.”
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