A slow disco-burner reworking of the heavily guitar driven Air track “So Light is Her Footfall”. Not Breakbot’s most revolutionary or impressive sounding remixes but an overall great vibe and that slap bass tone is fantastic.
[audio:http://diestruktur.com/asianmandan/music/Feb%202010/Air%20-%20So%20Light%20Is%20Her%20Footfall%20(Breakbot%20Remix).mp3]
Air – So Light Is Her Footfall (Breakbot Remix)
The first single off the forthcoming album “Tourist History”, a pop opus mixed by the one and only ZDAR. Phoenix 2.0 for Twenty-Ten? Maybe since they were just signed to Glassnote (Phoenix’s Label) here in the US. After listening to the album all I can say is that it is dripping with pop and is mixed and produced soooo well. I am sucker for such pristine quality. Also the video is very reminiscent of the Mystery Jets’ “Young Love” video.
As a gift to his Twitter followers Mayer Hawthorne decided to give away an old track from his more beat oriented days under his old moniker DJ Haircut. This track is a very Stones Throw sounding track with its unquantized/Dilla-esque sounding drums and a smooth bassline that reminds me of Dam Funk. This is yet more proof of how talented Mr. Hawthorne is at capturing the key elements of the genres of music he tries to recreate.
[audio:http://diestruktur.com/asianmandan/music/Feb%202010/Haircut-1000-Paper-Cranes.mp3] DJ Haircut – 1000 Paper Planes
Phoenix’s Wolfgang Amadeus Phoenix wins Best Alternative Album of the Year and Kings of Leon’s “Use Somebody” wins Best Record of Year beating out Lady Gaga and Beyonce. I am kind of impressed with the Grammy’s this year. Beyonce deserved what she won especially after that great cover of Alanis Morissettes’ “You Oughta Know”. I especially enjoy the fact that the Music Industry community has paid their respects to Phoenix and Kings of Leon, bands that have paid their dues in the rock sense – that have toured for over 10 years and have made more than 2 records. But it is definitely the last time we see acts like them. We are moving into a new era where every band has to reinvent themselves every release. They have to treat themselves as a start-up company that has to develop a cutting edge and revolutionary business plan with every single/album/EP that they create and put out.
When Taylor Swift accepted her first award and said “I want to thank my record label for letting me write all my songs.” I finally decide that this industry is done. We are in a time where everything is fair game. Yet another paradigm shift in the musical business world I guess we just need another Radiohead album to show everyone what we should do. Bands, artists, DJs, Producers, labels, promo companies, everyone that is still clinging onto this shell of an industry, it is time to do things differently. Let’s not just send out the same promo emails with the same old free mp3s, press releases and press photos and post it on our blog, let’s all take the time and show that we are trying to do something new and different with our art and crafts. Let’s show that we care about the quality and work that an artists puts into their work. Whether it is a band like Phoenix who spends 2 years crafting an epic song such as “Love Like a Sunset” and never settling even when it was just an infant tune called “Twenty One One Zero” or a band like Kings of Leon who have toured endlessly. Let’s just not settle for mediocrity. Not too sure what I am trying to get at with this rant or what I want to see happen to the industry. No doubt this is an argument/conflict that has been going on for decades in the industry. But I just know it is an exciting time for music.
Also I have so much love for Diplo, who I feel is a walking middle finger to the music industry. He is like thanks for giving me this Grammy for “Paper Planes” – let me shit talk everyone here at this event via twitter. Here is Diplo & Co’s lovely take on multiple Grammy winner, Beyonce’s “Halo”.
I never understood the appeal of Yeasayer and just saw them as some Brooklyn, vanity music/hipster band. A little too weird in that hippie way for me. And then a friend suggested I check out Ambling Alp – a well crafted pop tune that I have been listening to on repeat since Twenty-Ten began. Their next single “O.N.E.” they are giving away for free on their website, yeasayer.net – it is a happy-go-lucky synth pop tune that is my 2nd fav on the album Odd Blood. I can no longer sip on my haterade and can only appreciate this undeniable pop.
Thieves Like Us obviously took their name from the New Order tune with the same name. And this new single “Never Known Love” shows that they really want to be them which is something I feel every band should do. I’m a big fan of the bassline on this track.
[audio:http://diestruktur.com/asianmandan/music/Jan%202010/Thieves%20Like%20Us%20-%20Never%20Known%20Love.mp3] Thieves Like Us – Never Known Love
Check out the music video for “Never Known Love” after the jump. [Read more]
Kingdom is leading Fool’s Gold’s foray into the weirder, less banger, experimental side of electronic/dance. I have been listening and loving Kingdom’s remixes of Kid Sister and Marcus Price & Carli for the past month. I am a big fan of his nod to classic house, 2-Step, garage and just straight up bass. And what better way of paying homage than by getting Todd Edwards to remix your track. Check out the original version of “Mindreader” below and give the Fabric mix a listen to checkout the various genres of the darker side of electronic that Kingdom straddles between.
A-Trak works his Canadian electro magic transforming a David Guetta tune “Toyfriend” into a swagger tune by mashing/remixing it up with a fellow Canuck, Drake and Birdman’s tune “Money 2 Blow”. And of course it is only appropriate to rename the tune “Loonies to Blow”.
What a clash of the titans,Breakbot & Siriusmo – this remixes sounds nothing like either have produced before. A guitar based remix of a very soulful sounding track by the might Breakbot. These two should start a band or something with their immense talent. I feel that La Funk Mob will work wonders on this track with the tracks soulful vox – Zdar will strike again!
GLOVES basslines keep getting better and better. He blew me away with that Miami Horror remix and now he strikes back with some more Aussie on Aussie action by remixing Matt Van Schie’s “Saturday Night”. I need to make my way down to Oceania immediately to experience this amazing music scene first hand.
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